I have often been asked why I became an expert on vampires. The answer always goes back to my childhood, when I went to horror and sci-fi movies and watched old vampire movies on TV. In 1976, I published my first book of poetry, The Dracula Poems. My vampire interest eventually combined with my background in Russian literature when I discovered Perkowski’s Vampires of the Slavs. I obtained my Ph.D. in Slavic Folklore from UVA and have kept up my interest in this fascinating subject ever since. I am planning another book on the period known as Magia Posthuma when there were “epidemics” of vampirism around Austro-Hungary.
I will argue that the rapid increase in attention to the folkloric basis of the vampire legends in English-language literature is the result of the work of the late Prof. Jan Perkowski, whose book The Darkling: A Treatise on Slavic Vampirism changed my life. I left a fairly lucrative high-tech career to get my doctorate in Slavic Folklore at the University of Virginia, where (full disclosure) I became Perkowski’s teaching assistant.
In 2006, I was asked to write the Preface for a collection of all of Perkowski’s seminal writings on the Slavic vampire. Vampire Lore is a compendium of his complete books, as well as harder-to-obtain articles about more arcane aspects of vampire folklore, in one solid volume.
My copy is well-worn, as this volume contains not only The Darkling but two other complete volumes, including Vampires of the Slavs and Vampires, Dwarves, and Witches among the Ontario Kashubs. Perkowski’s meticulous research opened the door for consideration of studies of vampires that went beyond the limits of Dracula and European vampire literature.
Perkowski (Slavic languages and literatures, U. of Virginia) found that Slavic folk belief in vampires came to the New World with Kashubian emigrés to Ontario, Canada. The anthology contains this bicultural Slav's collected oral histories and writings on this Slavic mythology since the 1970s, e.g., The Darkling: A Treatise on Slavic Vampirism (1989), and translations of others' works on this tradition. The book concludes with charted analyses of Bram Stoker's Dracula and the linguistic conflation of assorted demons. Illustrations include an East European map of traditional religions, and b&w photographs of churches and cemeteries. Some references are not translated into…
Serious students of vampire folklore are aware that the motif is found all over Eastern and Central Europe. Gabor Klaniczay is a Hungarian historian whose research focuses on witches and other supernatural entities in the cultures of Austro-Hungary and its environs.
This book showed me so many things that I and other American readers get wrong. For example, most people believe that the “blood countess,” Erzebeta Bathory, drank the blood of local virgins, but Klaniczay shows that these reports were actually constructed to get her out of the way of an inheritance scheme. Klaniczay is also an expert on Central European shamanism, and this led to my assertion that vampire lore incorporates some shamanistic beliefs.
This book of essays is concerned with aspects of religion, magic, and witchcraft in medieval and early-modern Europe, with particular reference to Central Europe. Drawing on a range of theoretical and methodological work including that of Elias, Geertz, Bakhtin, and Turner, the author gives special attention to the history of the body and of gesture, of symbolism and representation, and shows how these dimensions can be related to religious and mystical beliefs and practices.
Among the topics discussed are conflicts in twelfth-century Christianity and the tensions between popular religion and learned urban Christianity; heretical and nonconformist behavior in the twelfth…
Elizabeth Miller is one of the foremost scholars on Dracula and the literary (and cinematic) vampire. Although my research has focused on folklore about vampires and similar beings, you can’t really discuss the significance of vampires without discussing Dracula.
Elizabeth’s book tells you about Bram Stoker’s sources, his writing process, the geography of Dracula, and Vlad the Impaler, among other things, separating out facts from wrong ideas that have gotten passed around in popular culture. This book was invaluable for the chapter in my book discussing the novel Dracula.
To see our full range of Dracula studies, go to "Kindle Store" and search for DESERT ISLAND DRACULA LIBRARY.
Was Vlad the Impaler the inspiration for Bram Stoker's novel Dracula? No!
Did Stoker write about Transylvania from first-hand experience? No!
Has the model for Count Dracula's castle been found? No!
Must Count Dracula stay out of the sunlight? Absolutely not!
Literary sleuth Elizabeth Miller exposes these and numerous other popular distortions and fabrications that have plagued our understanding of Stoker and his famous novel.
Where is this nonsense coming from? This book will tell you.
During the final phases of my dissertation research, I taught a course at the University of Virginia titled “Blood and Sacrifice.” Girard's book validated my hypothesis that the vampire figure is a scapegoat. It discusses topics such as ‘stereotypes of persecution,’ ‘violence and magic,’ and others. I used Girard’s writings on sacrifice to bolster my claim that societies need to construct scapegoats (such as vampires or witches) to avoid creating internal social chaos and blame.
Though his approach is that of a literary scholar, his erudition creates a very thorough understanding of a socio-structural phenomenon that has existed as long in human history as we have had writing, and certainly longer.
Widely regarded as one of the most profound critics of our time, Rene Girard has pursued a powerful line of inquiry across the fields of the humanities and the social sciences. His theories, which the French press has termed "l'hypothese girardienne," have sparked interdisciplinary, even international, controversy. In The Scapegoat, Girard applies his approach to "texts of persecution," documents that recount phenomena of collective violence from the standpoint of the persecutor-documents such as the medieval poet Guillaume de Machaut's Judgement of the King of Navarre, which blames the Jews for the Black Death and describes their mass murder. Girard compares…
Carlo Ginzburg has written a great deal about witches and is an expert in ‘microhistory’–the archaeology of the marginalized and forgotten elements of human history.
This book is a culmination of his more academic research, in which he discusses not just witches but (importantly for me) the putative undercurrent of Central European shamanism in the witchcraft trials in Northern Italy. What does that have to do with vampires? I have long held a hypothesis that Friuli, where the benandanti (reputed to leave their bodies at night to fight witches), is a region where Slavic vampire folklore may have come into contact with Western European witchcraft beliefs.
Long before Buffy and even Dracula–the word ‘vampire’ designated a common villager in the Slavic regions of Europe who had either died an unnatural or violent death and thus could not be buried within the village’s perimeter. Like witches in Western Europe, the vampire functioned as a scapegoat, and it was often important to designate seers who could identify who might have become a vampire.
This is the first book to trace the history of the belief in vampires and the methods of identifying and dispatching them. Linguistically analyzing the original meaning of the ‘vampir’, the book follows the cultural changes in meaning over the next millennium. This book examines how the vampire and slayer became the basis for Dracula and beyond.
So many books, so little time! If you're a nonfiction fan, this field guide may help you make better choices about what to read.
Just like a field guide helps you identify plants or birds, this book helps you navigate the rich world of nonfiction. You’ll uncover how your favorite authors break down complex topics, keep you hooked, and forge those deep, personal connections that make their work unforgettable.
Practice spotting techniques "in the wild" and track your responses in the Field Notes. Record your own preferences and favorites in the Field Observations. With this guide by your side, you'll…
Attention nonfiction book lovers, this guide is for you!
If your nightstand is stacked with histories or essays, how-to guides or science books, The Curious Reader’s Field Guide to Nonfiction is going to be your new favorite companion.
Just like a field guide helps you identify plants or birds, this book helps you navigate the rich world of nonfiction. You’ll uncover how your favorite authors break down complex topics, keep you hooked, and forge those deep, personal connections that make their work unforgettable.
More than just a guide—a reading companion
This isn’t just a book you flip through—it’s an interactive…
